His "Tense Operator has been set to Present-Indefinite."
Wherein we assume we are having a conversation with one another. We being the members of ENGL 5650. Do the voices that return to us come from other human beings via these prosthetics we call computers, or do they come from some unknown artificial intelligence? Then again, are "we" really possessed of organic intelligence, or is it merely a simulation of intelligence that we present in order to obscure the fact that there is no "real" intelligence?
Tuesday, November 30, 2010
Meta-Science Fiction
His "Tense Operator has been set to Present-Indefinite."
Antikythera Mechanism
Tuesday, November 23, 2010
Rick Moody SURPLUS VALUE BOOKS
Regarding the two Surplus Value Books written by Rick Moody.
Book Artist, Daniel Kelm, produced the second version at his Wide Awake Garage studio. A recent exhibition of Kelm's book art at Smith College provided a video of Kelm discussing the Moody project. Access the exhibition "Poetic Science" here and scroll down to "Surplus Value Books" for Kelm's take on the entire project
Bervin's Dickinson
To continue the delightful conversation.....
So Why I consider Bervin's Emily project to be OK.
Bervin takes aspects of Dickinson's writing that are traditionally erased and makes them material, exposing to the air some of what attempts to normalize had locked away. I believe this project is important both in regards to other artists' books projects utilizing Dickinson's poems as well as Bervin's Desert and her other works that feature erasure.
Monday, November 8, 2010
Miwa Matreyek's glorious visions
http://www.ted.com/talks/miwa_matreyek_s_glorious_visions.html
Tuesday, October 26, 2010
New Media.
Friday, October 15, 2010
The limits of my language mean the limits of my world
(Contains the rat experiment Keltin mentioned in class. Good stuff.)
Wednesday, September 29, 2010
The Books - Be Good To Them Always
And here is a bit from their blog that I thought was relevant to our discussion of cut ups (it refers to a song from their new album, not the one above):
Along with Group Auto I and Chain of Missing Links, this track forms the third in the trilogy of hypno-themed tracks that bookend the record. There was such an avalanche of great voices from thrift shop tapes that it was clear early on that we had to spread them out over several tracks. Thinking in reverse, we knew that the final sample on the record would be: “and it feels so good, so relaxed and so at ease, and you’re becoming the world and everyone in it”
This, of course, is a deep manipulation of the original tape… at some point Paul took on the singular mission of turning a weight-loss record into a weight-gain record. Despite it’s overt silliness, it is a strangely apt concept. The real subliminal voices out there do exactly this, chanting the mantra ‘more’. Not to pontificate too much, but it really seems that our culture is in the midst of a pathetic consumeristic trance.
Yet conversely, this sample also represents a hopeful kind of zeitgeist. I think of music as a survival instinct. There is so much noise all the time, so much conflicting and emotionally pointed information coming from all directions, we need a strategy for dealing with it so it doesn’t drive us crazy. Unprocessed noise is a drag on the mind: it either overwhelms to the point of numbness, or it corners you into becoming jaded and apathetic. Neither are ok. Sampling is a good practice for dealing with the noise Find a quiet spot, pop in a random tape and simply sit and listen. Whether or not you agree with the material is not important, just try to hear what they are saying and save it if it resonates and otherwise let it go forever. Over time the fragments can be reconstructed into a world that is worth inhabiting.
Saturday, September 25, 2010
Web 2.0 ... The Machine is Us/ing Us
Friday, September 17, 2010
Gibson-His "native literary culture"
Thursday, September 16, 2010
Artist Book: The Anatomy Lesson
Artist Joyce Cutler-Shaw responds to the Fasciculus Medicinae, the first printed book with anatomical illustrations. This Artist Book was published by Robin Price and bound by Daniel Kelm.
View a copy of this book in the Marriott Library Rare Book Reading room,level 4, call number:
Rare Books Oversize N7433.4 C865 A53 2005,
Or see a slide show of the work at
Tuesday, September 14, 2010
Tuesday, September 7, 2010
Thursday, September 2, 2010
Interactive Internet Film
Wednesday, September 1, 2010
No Google in Neuromancer
Tuesday, August 31, 2010
A Poet employs Baudrillard
Lost in the West Edmonton Mall
Charles Bernstein
“You Never Looked So Simulating,” a poem presented at the In(ter)ventions conference in Banff, February 2010, and first published in West Coast LINE.
Charles Bernstein is a poet, theorist, editor and literary scholar, and he teaches at the University of Pennsylvania. His most recent collection of poetry is All the Whiskey in Heaven, published by Farrar, Straus and Giroux in 2010 . Read his previous work in Geist at geist.com