Tuesday, November 30, 2010

Meta-Science Fiction

How about meta-science-fiction? HA! Science fiction, yes. Post-modern, yes. I think it's brilliant, this story of a time-machine repairman. In Yu's universe, time travel requires setting a "Tense Operator".... "I broke the Tense Operator by living in between tenses"..."I learned about the future tense, how anxiety is encoded into our sentences, our conditionals, our thoughts, how worry is encoded into language itself, into grammar."
This book is all about time and how we talk about it.

His "Tense Operator has been set to Present-Indefinite."

Antikythera Mechanism

High tech x-rays and scans reveal some to the secrets of the ancient clock discovered 100 years ago by divers off the Greek island Antikythera. Mike Edmunds of the University of Cardiff is one of the scientific team working on this project. The project website provides some information, as does a 2007 NewYorker article and many additional websites. Articles from the journal Nature may be accessed through the Marriott Library on-line journal data base.






Tuesday, November 23, 2010

Rick Moody SURPLUS VALUE BOOKS


Regarding the two Surplus Value Books written by Rick Moody.
Book Artist, Daniel Kelm, produced the second version at his Wide Awake Garage studio. A recent exhibition of Kelm's book art at Smith College provided a video of Kelm discussing the Moody project. Access the exhibition "Poetic Science" here and scroll down to "Surplus Value Books" for Kelm's take on the entire project

Bervin's Dickinson


To continue the delightful conversation.....


About her "odd physical study" of Dickinson's textual marks Bervin writes, "it makes their presence on the facsimile manuscript page more striking, systemic factual--and their omission from typeset poems more evident."

So Why I consider Bervin's Emily project to be OK.

Bervin takes aspects of Dickinson's writing that are traditionally erased and makes them material, exposing to the air some of what attempts to normalize had locked away. I believe this project is important both in regards to other artists' books projects utilizing Dickinson's poems as well as Bervin's Desert and her other works that feature erasure.

So, an alternative form of the same project ---Granary's book edition:

Monday, November 8, 2010

Miwa Matreyek's glorious visions

This is a beautiful TED performance of Miwa Matreyek. I think it is really interesting how she incorporates her actual body into her digital art and the different mediums and layers she uses.
http://www.ted.com/talks/miwa_matreyek_s_glorious_visions.html

Tuesday, October 26, 2010

New Media.

Hey everyone, I was just browsing the web this evening and sort of thinking about New Media and Old Media and stumbled across this video. I'm sure you've heard or seen electronic waste sites like this but thought you may be interested. It's ironic; the children in the video playing on all the technological waste and being amazed by a simple polaroid.

Friday, October 15, 2010

The limits of my language mean the limits of my world




(Contains the rat experiment Keltin mentioned in class. Good stuff.)

Wednesday, September 29, 2010

The Books - Be Good To Them Always

h

And here is a bit from their blog that I thought was relevant to our discussion of cut ups (it refers to a song from their new album, not the one above):

Along with Group Auto I and Chain of Missing Links, this track forms the third in the trilogy of hypno-themed tracks that bookend the record. There was such an avalanche of great voices from thrift shop tapes that it was clear early on that we had to spread them out over several tracks. Thinking in reverse, we knew that the final sample on the record would be: “and it feels so good, so relaxed and so at ease, and you’re becoming the world and everyone in it”
This, of course, is a deep manipulation of the original tape… at some point Paul took on the singular mission of turning a weight-loss record into a weight-gain record. Despite it’s overt silliness, it is a strangely apt concept. The real subliminal voices out there do exactly this, chanting the mantra ‘more’. Not to pontificate too much, but it really seems that our culture is in the midst of a pathetic consumeristic trance.
Yet conversely, this sample also represents a hopeful kind of zeitgeist. I think of music as a survival instinct. There is so much noise all the time, so much conflicting and emotionally pointed information coming from all directions, we need a strategy for dealing with it so it doesn’t drive us crazy. Unprocessed noise is a drag on the mind: it either overwhelms to the point of numbness, or it corners you into becoming jaded and apathetic. Neither are ok. Sampling is a good practice for dealing with the noise Find a quiet spot, pop in a random tape and simply sit and listen. Whether or not you agree with the material is not important, just try to hear what they are saying and save it if it resonates and otherwise let it go forever. Over time the fragments can be reconstructed into a world that is worth inhabiting.

Saturday, September 25, 2010

Friday, September 17, 2010

Thursday, September 16, 2010

Artist Book: The Anatomy Lesson


Artist Joyce Cutler-Shaw responds to the Fasciculus Medicinae, the first printed book with anatomical illustrations. This Artist Book was published by Robin Price and bound by Daniel Kelm.

View a copy of this book in the Marriott Library Rare Book Reading room,level 4, call number:
Rare Books Oversize N7433.4 C865 A53 2005,

Or see a slide show of the work at

http://joycecutlershaw.com/artistsbooks/

Tuesday, September 7, 2010

In case anyone is unsure about just how close we are to Gibson's world, this National Geographic article about bionics ought to clear things up a little. Make sure you look at the photo gallery.
For anyone who is interested. William Gibson was interviewed today on NPR's "On Point".

Thursday, September 2, 2010

Interactive Internet Film

thewildernessdowntown.com/

Music video for Arcade Fire's We Used to Wait which, based on the viewer's entry of his/her childhood address, uses Google Maps and Satellite Images to fashion a personalized video project.

Tuesday, August 31, 2010

What William Gibson REALLY wants

An interview with the man at Guardian.co.uk

A Poet employs Baudrillard

Lost in the West Edmonton Mall

Charles Bernstein

“You Never Looked So Simulating,” a poem presented at the In(ter)ventions conference in Banff, February 2010, and first published in West Coast LINE.

The next stop was Edmonton
where I got lost in the Fantasyland
Mall on the way to one of the demi-
keynotes at the International Association
for Philosophy and Literature
"Thinking Between Poetry &
Philosophy" convention & so missed
most of the lecture on "The Ineluctable
Split of Poetry's Unsayable Name: Reading
Derrida through Nietzsche's Unknowable
Answer to Celan's Joyce (A Response to
Benjamin)." Many of the conventioneers
noted that the "Bourbon Street" food
mall was a perfect example of "simulation"--
a view I have trouble understanding
(not unusual for me)
since the patrons of the food court
seem to enjoy the fact that
"Bourbon STreet" is ineluctably in
the West Edmonton Mall & the designers
of the street seemed to go
out of their way to emphasize this fact,
making it look like a plaster cast
sketch of a picture of a New Orleans street
& not like the "real thing" at
all; the only ones fooled were
we conventioneers having our
dinner as we chatted about the
break down of reality and simulacra
(or simusoy for the lactose
intolerant). & talk about authentically
local as you might, the Buffalo
wings on Bourbon Street
in the West Edmonton Mall
never tasted so real
or would have. I had trout.

Charles Bernstein is a poet, theorist, editor and literary scholar, and he teaches at the University of Pennsylvania. His most recent collection of poetry is All the Whiskey in Heaven, published by Farrar, Straus and Giroux in 2010 . Read his previous work in Geist at geist.com